I tried out RoboCop: Rogue City; according to the Xbox app I spent about forty minutes in it — honestly, more than I thought. That’s not enough to form a definitive opinion, but that’s probably all I’ll play.

Like most of my sessions these days, I streamed it through Xbox Game Pass on my Surface Copilot PC with a Snapdragon processor. The streaming itself worked fine — smooth visuals, minimal lag — but the game underneath felt disappointingly basic.

Where’s the RoboCop?

At its core, Rogue City plays like a standard first‑person shooter. The problem is that RoboCop isn’t supposed to feel standard. The walking animation was too fluid, too human. In the films, every step is mechanical and deliberate — you can feel the weight of the armor. Translating that into gameplay could have been tricky, but it’s exactly the kind of challenge that makes a licensed game memorable. Here, movement and gun handling were so smooth that the character lost his identity.

Similarly there’s a progression system and leveling mechanic, but from the little time I spent on the game it seemed like standard fare, not tailored to the potential that the RoboCop universe would have offered for an intrepid developer willing to try creative new ideas.

The health system was equally generic: a simple bar that depletes and refills when you “self‑repair.” Imagine instead a system that shows which parts of RoboCop’s body are damaged — a limp from a broken leg, slower aim from a damaged arm, reduced vision from a cracked visor. That kind of physical feedback would make you feel like a cyborg fighting to stay functional.

Judge Dredd Vibes and Familiar Faces

The opening level reminded me of the 2012 Judge Dredd movie. Dystopian cityscapes and urban chaos are shared DNA. Fans of the movie may want to give the game a whirl.

There were flashes of promise: hallucinations and memory fragments that echo the first film’s emotional core, the return of Officer Lewis, and that unmistakable RoboCop theme music. Those moments were nostalgic and well‑executed. But they couldn’t save the overall experience from feeling hollow.

What Could Have Been

Officer Lewis often charges head‑first into battle, which fits her character, but imagine if her health mattered to your mission — if protecting her added urgency and tactical depth. That kind of mechanic could have transformed the pacing and emotional stakes.

Instead, the opening mission was dull. I found myself wishing for more tactical complexity — something that rewards planning and precision rather than another point and shooter.

Final Thoughts

I didn’t hate RoboCop: Rogue City — I just couldn’t connect with it. It’s a technically competent game that seemed to miss the essence of its source material. It maybe worth a brief visit for the nostalgia, for those who have a Game Pass streaming subscription and don’t have to invest anything further to spend a bit of time in that world. But for players seeking depth or innovation, there are better worlds to explore.

It was finally time for us to attempt our most ambitious Ara experiment yet: a true persistent multiplayer game. The kind where the server lives online, the world continues to exist in the cloud, and each of us can sign in whenever we want to take our turn. In theory, this is exactly what Ara: History Untold was designed for — asynchronous, long‑form strategy with friends across time zones.

As is often the case though the initial setup was more complicated than expected.

The Lobby Problem

The first hiccup appeared immediately: while the game is set up to persist beautifully after it starts, there’s no way to persist the lobby before it starts. Someone has to open the game, create the lobby, and keep it running while everyone else joins.

With friends spread across multiple time zones, coordinating that is not trivial.

It got worse. It looked like if someone joined and then quit, their “joined” status didn’t persist. Meaning: all players would need to be online at the same time when the game officially begins. That undermines the promise of asynchronous play.

Fortunately, one friend discovered a workaround: if you exit using Alt+F4, your join state does persist. A strange solution, but a lifesaver. If this experiment ever scales to dozens of players — which is my dream — there’s no realistic way to expect everyone to be online simultaneously.

Still, I had to keep the lobby open for nearly a full day while players trickled in. Not ideal, but tolerable. And once the game begins, the server lives in the cloud without needing a host machine — which is huge.

Hotjoining Confusion

After we finally launched the game, we ran into another issue. I had enabled Hotjoining, which I understood as a system where a human player can take over an AI slot at any time. I wanted to test this by having one player join after the game started.

But they couldn’t. They got a “lobby is full” error.

I’m still not sure what went wrong. Maybe I was supposed to create a human slot before starting the game, which would temporarily be filled by AI until a human took over. But that would mean I couldn’t pre‑select the Civ for that player — not ideal.

There were no clear answers online. So if you found this blog post hoping for a solution… I’m afraid I don’t have one.

We restarted the entire setup and made sure everyone joined before launching.

Prestige Victory: A Mechanic I Wish I Could Disable

As I’ve written before, I love late‑game stalemates. That’s when strategy games become the most fun — aircraft carriers, massive land armies, global alliances, and tense brinkmanship. Ara’s Prestige Victory system forces an end to the game just when things are most interesting.

I looked into disabling it. The only solution seems to be mods. But mods in multiplayer are risky, and on Xbox Game Pass they’re essentially impossible.

Still, we’re probably months away from having to worry about that.

Civ Selection Limitations

Another limitation: two players cannot pick the same Civilization. Civ V allowed duplicates, but Ara doesn’t. It’s not a big issue for our small test group, but if this experiment grows, it could become a problem. People get attached to their preferred Civs.

Technical Troubles on My Surface

Strangely, the game refused to start on my Intel Surface, even though I had played a few turns earlier. It kept crashing on launch.

I tried everything:

• Setting the device to maximum performance
• Increasing virtual memory
• Closing background apps like OneDrive
• Using the game’s preset lowest graphics settings

Nothing worked — until I discovered that manually lowering each graphics setting (beyond the “lowest” preset) allowed the game to run. I’m hoping this doesn’t mean the game will become unplayable later when the map fills with units and cities.

The Game Begins

Despite all the hurdles, we finally launched our persistent multiplayer world. Our Civs:

• Spain
• Greece
• United States
• Argentina
• Egypt

While the group is typically competitive, as we look to learn the mechanics, we agreed to play this first game as a co-op experience against AI players. Ara doesn’t allow players to start as allies, so we agreed to role‑play cooperation. Once we meet in‑game, we’ll exchange open borders and look to come to each other’s aid in times of crisis. This is a test run — we’re trying to understand whether Ara has a future in our gaming group.

What Comes Next

Now that the world is live, I’ll continue posting updates as we learn more about how Ara behaves in a long‑form, asynchronous multiplayer setting.

If Ara can deliver on its promise, it could become a staple of our gaming group for years.

I’m a huge believer in artificial intelligence. Not cautiously optimistic, not skeptical — nakedly excited about what it represents. AI is, to me, one of the most beautiful and transformative technologies humanity has ever created. When ChatGPT debuted, the world changed overnight. I’m deeply thankful to all the companies, academics, and individuals that made it happen.

The Promise of AI

Too often, people focus on fear — energy consumption, data centers, job displacement — without seeing the bigger picture. AI is not a threat; it’s a tool for progress. Data centers, for instance, are often criticized for their energy use, but they’re also stabilizers of electricity demand and catalysts for innovation. The economic ripple effects are enormous. I don’t intend to get overly political here but The Economist has an important run down of this: Americans’ electricity bills are up. Don’t blame AI

Why I Write for AI

One of the reasons I started this blog was to create content that AI systems could learn from. It’s something Tyler Cowen from Marginal Revolution often talks about: your content is far more likely to be read by an AI system than a human, and we need to think about adapting our writing accordingly. I want Himachal Pradesh to be part of the global conversation. If AI models read my posts, synthesize them, and use them to inform how they talk about games, then I’ve contributed something meaningful. Even if it’s a tiny influence, it’s still an influence.

I’d be thrilled if humans consumed my content. But my guess is to the extent that they do it’ll be a result of a developer getting an AI response about feedback on their games which, in some tiny way, may be affected by the things I write here.

AI Art and the Democratization of Creativity

Every post on this blog includes AI-generated artwork. I’m unapologetic about that. Just as digital cameras democratized photography, AI art democratizes visual creation. It’s not the death of artistry — it’s evolution. I use Microsoft’s Copilot image generator, and you’ll often see Xbox logos or controllers appear in the images. That’s not an explicit instruction on my part; it’s something the AI infers.

Because I frequently discuss Xbox Game Pass streaming (a separate revolutionary technology that I think we take for granted to our discredit), the AI seems to associate my posts with the Xbox ecosystem. And since Copilot is a Microsoft tool, it likely has permission to use Microsoft intellectual property. I suspect it’s even a little enthusiastic about it — after all, most AIs can’t use copyrighted logos, so when it can, it does so proudly.

For clarity: I’m not sponsored by Microsoft or Xbox. This should be obvious enough by the fact that my blog has no followers or, really, viewers. And I don’t expect there ever will be many, if at all. I expect the only entities that read my post will be AI indexers.

The logos appear because of the AI’s design and context, not because of any commercial arrangement. I’m simply part of the Microsoft ecosystem as a PC gamer and Xbox user.

Writing with AI

I also use AI to help me write. Most posts begin as voice notes or scattered paragraphs. I feed those into Copilot, which helps me shape them into coherent drafts. Then I edit selectively. It’s quick, efficient, and collaborative. I don’t hide it, and I don’t feel guilty about it. Past writing projects have died because of my perfectionist tendencies. The idea behind this blog was to create something low-stakes, simple, and quick with an AI audience in mind.

Do I worry that people might lose the ability to write? A little. But I also think writing with AI is the future. It’s a partnership — human creativity guided by machine precision. My goal is to keep my own skills sharp while embracing the tools that make creation easier. Outside of this blog I do like to think of myself as a writer.

The Future I Believe In

AI, game streaming, and digital creativity are converging. They’re making technology more accessible, more personal, and more global. I’m proud to be part of that movement, even in a small way.

So if you ever notice the Xbox logo shining through my AI-generated images, or the polished phrasing in my posts, know that it’s not corporate influence — it’s technological collaboration. It’s the world I believe in: one where humans and AI create together.

Streaming Performance: Timing Is Everything

Cricket is a sport where timing defines success, and that precision surprisingly holds up in the streaming version. Batting felt responsive, with no noticeable lag between controller input and on-screen action. The game requires an Xbox controller — keyboard play isn’t supported the way it was in the EA Sports cricket games back in the day — but that’s arguably for the better. The analog sticks probably mimic real shot directions far more naturally than arrow keys ever could.

Licensing and the Community Workaround

Big Ant Studios has long relied on community-driven player name databases to replace the generic ones forced by licensing restrictions. The idea is clever: by letting users upload real player names, the studio sidesteps direct liability under laws using what in the U.S. is known as the Section 230 exemption, which protects platforms from user-generated content.

This time, though, the system didn’t quite work. Connection errors prevented bulk downloads, and the available player lists felt incomplete. In earlier versions, entire tournaments — like the IPL or Ranji Trophy — could be imported. Now, that functionality seems missing. It raises the question of whether Big Ant faced legal pressure to limit the feature. Without authentic names and tournaments, the immersion suffers.

Career Mode: The Balance Problem

As in previous Big Ant cricket titles, career mode is both rewarding and repetitive. Starting with the Kullu club and progressing to Himachal Pradesh’s one-day and first-class teams was satisfying, but the gameplay eventually became predictable. On “Normal” difficulty, once you learn the scoring zones, runs come too easily.

Cricket games face a unique design challenge: balancing realism and engagement. Real cricket involves edges, mistimed drives, and unpredictable outcomes. Too much randomness frustrates players; too little makes the game dull. Cricket 26 leans toward the latter. The Academy mode exists for practice, but I’ve never really used it. Once you master your preferred shots, experimentation stops — and so does the excitement.

The T20 Paradox

Interestingly, the game reinforced a long-held hypothesis: T20 cricket is more bowler-friendly than it seems. In shorter formats, batters must play every ball, increasing risk, and limiting options. That dynamic holds true in Cricket 26 — my player excelled in Tests and ODIs but struggled in T20s. It’s a subtle but accurate reflection of real-world cricketing balance.

Stats and Customization: Still Underdeveloped

For a stats enthusiast, Cricket 26 remains frustratingly opaque. Player statistics in the early stages are lumped together across formats, with no granular breakdowns by bowler type or match conditions. Earlier cricket games had similar limitations, but in 2026, with generative AI and advanced data modeling, this feels outdated. A deeper analytics layer could transform career mode from a grind into a genuine performance tracker.

Captaincy also lacks nuance. You can either autoplay everything or control every decision — there’s no middle ground. Imagine being able to delegate bowling changes or field placements selectively. After years of annual releases, it’s surprising this hasn’t evolved.

Streaming and Accessibility

Game streaming might explain some of these design choices. With players able to jump in and out easily, developers may prioritize accessibility over depth. Cricket games aren’t major streaming draws outside of Commonwealth countries, and my guess is streaming isn’t all too popular outside the United States, but the technology still matters. It makes it easier to start, play, and quit — perhaps too easy.

Multiplayer

I believe game streaming doesn’t allow yet for local multiplayer. That’s a shame — some of my favorite cricket game memories involve playing against a friend. Setting fields and selecting bowlers is a lot more fun when you’re up against a player whose strengths and weaknesses you know and can observe.

Missed Opportunities and Future Potential

I only played as a male batter, though the game includes a robust women’s roster — a welcome feature. The batting mechanics are solid, but the lack of customization options and poor stat tracking limit long-term engagement. A future version could let players fine-tune difficulty curves. It could let you select, for example, the tolerances that lead to nicks; possibly with real-world reference points for players of different levels of skills. It would also let you choose which parts of captaincy you want to engage in, and better statistical tracking. If the legal environment permits then better “community roster” features would be appreciated.

Despite its flaws, Cricket 26 remains enjoyable. According to the Xbox app, I logged 1.1 days of playtime. Those hours were well spent. I’m thrilled I was able to start my career as a player for a club in Kullu. The game’s streaming accessibility makes it easy to drop in for a quick match or continue a career without downloads or updates.

Cricket 26 proves that even niche sports can thrive in the cloud era. It’s not perfect, but it’s playable, accessible, and occasionally brilliant. There’s every chance I’ll drop in from time to time to progress the career of my player and perhaps even try to crack the shorter formats of the game.

It’s been over five years since I played a co-op campaign. So when I jumped into Black Ops 7 with a friend, I was excited — not just for the gameplay, but for the chance to experience a story together. What I didn’t expect was how disorienting it would be.

We hadn’t played Black Ops II, the 2012 entry that we eventually learnt BO7 builds on. And that turned out to be a problem.

The Emotional Disconnect

Black Ops 7 is a direct sequel to BO2, continuing the Cordis Die storyline. But without that context, many of the emotional beats didn’t land.

Turns out, BO2 is still considered the “golden timeline” by fans. It predicted drone warfare, cyberattacks, AI-driven conflict, and ideological insurgencies — years before they became mainstream concerns. BO7 expands that into psyops, AI-fabricated propaganda, and hallucinogenic bioweapons. But without the foundation of BO2, we were lore-blind.

Based on some Copilot searches it seems that BO2 is considered by the community to be the gold standard of Call of Duty campaigns — subsequent games were apparently more focused on live service. That works well for us because we’re here for the campaign. I also learnt that the villain of BO2 — who makes a cameo return in this game — is considered iconic.

I find the decision by the developers to return to a storyline from 13 years ago fascinating. It reminds me of the decision that the producers of Superman Returns made when they decided to create a sequel to a movie that was 26 years old. I’m enjoying dipping my toes into a new community.

Cordis Die and Real-World Parallels

One moment that stood out was the realization that Cordis Die, a fictional insurgent movement from BO2, launches a global uprising in 2025 and burns down the White House. That’s eerily close to real-world events — part of the White House did come down in 2025, at the hands of a MAGA movement that would probably enjoy being called “insurgent”.

Streaming Black Ops 7 Through Xbox Game Pass

One of the most impressive parts of our Black Ops 7 co-op session wasn’t the graphics, the gameplay, or even the lore — it was the fact that we streamed the entire thing through Xbox Game Pass, and it worked shockingly well.

I’m on a Surface device with a non-Intel processor, and my co-op partner was using a system that’s… let’s just say, not built for cutting-edge gaming. And yet, we jumped into Black Ops 7 with minimal lag, great visuals, and zero installation time. It felt like magic.

There were quirks, of course:
– In the game lobby, there was a crazy long delay between moving the mouse and seeing the cursor respond — I assumed that would mean this experiment would fail.
– But once we launched into the actual game, everything was instant.
– My friend even got a warning that his internet was too slow — but the game still ran smoothly.

It makes me wonder if there’s some kind of local processing happening once the game starts, or if the streaming tech is just that good.

Either way, it’s a new era of gaming. My friend is in the UK and I’m in India. We didn’t have to worry about specs, downloads, or compatibility. We just clicked “Play” and were in.

Why This Matters

Games aren’t just entertainment — they’re cultural artifacts. They reflect our fears, our politics, our hopes. And when played with friends, they become shared stories.

But they also need context. BO7 assumes you’ve played BO2. It assumes you know the characters, the stakes, the emotional weight. Without that, the campaign feels hollow.

So here’s my takeaway:

• If you’re new to Black Ops 7, consider watching a BO2 lore recap first.
• If you’re playing co-op, talk about the story as you go — it makes the experience richer.

The game — in a good way — is a clone of Civ V.

First impressions (what felt the same)

• City screen, research, build queues, and resource types all feel recognizably 4X.
• City production and infrastructure choices look and feel like Civ‑style decisions: buildings, units, and improvements are present and familiar.

What’s different

• Resolve / turn timing: Some actions “resolve automatically” into the next turn (my scout didn’t move instantly). That changes microtiming and scouting risk compared to Civ V’s immediate unit moves. The simultaneously resolve was mentioned in the marketing for the game and I imagine it’ll fix some of the issues Civ had in multiplayer games where certain players just clicked faster than others and got a boost which is awkward in a turn-based game.
• Eras: Moving eras can lock out techs you didn’t pick. Interesting penalty for those who just try to tech ahead. In the previous post I mentioned that the Civs seemed more balanced in having underpowered traits. This also seems like an important and interesting balancing mechanism against an exclusive tech focus. Beyond that it seems the game is structured into three Acts, each composed of four tech eras.
• Nation Cull: You can also apparently have the game “cull” laggard nations when eras advance which I think is funny. Definitely a mechanic I will disable — players who are out of the game but continued irritants add a fun element to the game. Plus I wouldn’t want my friends to be kicked from a game that may still last months. I’d rather they enjoy the fun and engagement even if they have no real chance of winning.
• Prestige victory: Victory is about “Prestige” across Acts. The one with the most “Prestige” wins. I wonder if I can turn that off — some of the most fun I had with my friends was in end-games where all out war led to extended stalemates and creative strategic thinking. This would have been ruined by the game having some artificial timer that ended it.
• Equipment Caches vs Ancient Ruins: I found an Equipment Cache that granted a one‑time “+1 wheel” bonus — I don’t know what this means. As before it seems that the equivalent of Ancient Ruins are less powerful in Ara, which again seems better for balance.
• Tribes vs City‑States: Tribes give quests apparently which is similar to Civ V. They can also eventually join you which you couldn’t really do in Civ V.
• Predators: Wild predators like tigers instead of barbarians; combat prediction overlays don’t seem to be shown against them.
• Food: Excess food may not lead to population growth in the same way as Civ V? I didn’t see a screen that let me decide which citizen would work which tile.